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PANATHENAICA \* 1. The Burgon Panathenaic London B130, from Athens. Millingen A.U.M. 1, pls. 1-3; MonInst. 11, pls. 48 i and k, whence (A) Brauchitsch p. 7; A, Pfuhl, fig. 299; CVA4. f, pl. 1, 1. A, Athena; B, synoris. On the neck: A, siren; B, owl. TONAOENEEENA?L/ON: EMI, retrograde, in red. I do not know any other vases that are certainly by the very moderate painter of the Burgon Panathenaic, but two smaller pieces recall it: the fragment Cambridge N113, from the lid of a lekanis-like vessel (CVA. ii, pl. ~O0, 5); and the oinochoe London B485 (Panofka Cab. Pourtales, pl. 8, 3; B.M. Guide to Greek and Roman Life3, p. 18: three youths in a mule-cart); compare also the prothesis plaque, part in Brussels, part in the Louvre (the Brussels part, Vente Somzde, pl. 4, 22; the Paris part, Enc. phot. ii, p. 302, b; both, AM. 53, Beil. 10, 31). 9. Lydos When recomposing a hydria by Lydos from disjecta in Goettingen and the Cabinet des Medailles ('Ep. 1937, pp. 14-6), I said that the foot-race on the shoulder recalled the earliest and best Panathenaic amphorae: "we have none," I wrote, "by Lydos, but we may be pretty sure that he painted them, and some day one may turn up Shortly after this

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Author

J. D. Beazley

Published

1943

Language

LT

Field

Arts and Humanities (Social Sciences)