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x, 424 pages 25 cm "Bibliography of background texts": pages 414-420 The language of the theater. The singer as actor ; Making the mechanics of performing automatic ; Thinking in character ; Developing the character ; La Traviata, act II : scene between Violetta and Father Germont ; Making thoughts and emotions visible ; Dramatic expressiveness ; Techniques of the proscenium stage -- The language of music. Energy and mood ; informative devices ; Musical timing ; Musical form -- The motivations of operatic characters. Reasons and urges ; The influence of music ; Motogenic ideas ; Repeated words and sentences ; Analysis of motivations in two operatic scenes ; Motivations and movement patterns -- Operatic pantomimes. Cavalleria rusticana : pantomime for Santuzza's entrance ; Don Carlo : pantomime preceding the aria "Ella giammai m'amò" ; The abduction from the seraglio : pantomime preceding the aria "Martern aller arten" ; The telephone : Ben's pantomime during Lucy's first aria ; Don Giovanni : Donna Elvira's pantomime during Leporello's catalog aria -- The singing actor. Enunciating the text ; Vocal disguises ; Aria stagings ; The barber of Seville, act I : Rosina's cavatina "Una vo

Author

Boris Goldovsky

Publisher

New York, Appleton-Century-Crofts

Published

1968

Language

EN

Subjects

Music, Arts