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What is Embedded Dissonance in Harmony Theory about?

This article explores the historical relationship between dissonance, counterpoint, and harmonic theory from the eighteenth to the nineteenth century, focusing on specific voice-leading configurations that blur these concepts. It argues that the integration of dissonance into harmonic practice reveals a tension between traditional contrapuntal methods and emerging harmonic theories, particularly as theorists like Rameau and Kirnberger began to prioritize chord structures over contrapuntal origins. The study

Author

Hugo López Morel Schönberg

Language

EN