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This thesis examines the discursive construction of masculinity and sexual orientation in hip-hop lyrics, focusing on the identities of male artists as womanizers, misogynists, and homophobes. Analyzing lyrics from eight prominent hip-hop artists over a 20-year period, the study reveals how these identities coexist to form a dominant alpha-male persona while reflecting broader societal attitudes towards gender and sexuality. The research highlights the competitive nature of hip-hop culture and the linguisti

Author

Drake Jauch

Language

EN