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This document summarizes an article from the Economic and Political Weekly that discusses the 1994 Indian film Roja. It provides context about the debate around representations of nation, state, and class in popular Indian cinema. The summary argues that Roja rejects the post-colonial Nehruvian state and imagines a new kind of nation not defined by opposition to the West. It also discusses how Roja constructs some ethnic identities as integral to modern Indian identity while depicting other ethnicities like

Author

Chinmay Dharurkar

Language

EN