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The document discusses two ways in which the grid functions in modern art: spatially and temporally. Spatially, the grid states the autonomy of the realm of art by ordering, geometrizing, and antirualizing visual artworks. Temporally, the grid is an emblem of modernity while also appearing timeless, relating to nature. The grid serves to declare the modernity of art through its ubiquitous form across the 20th century, yet suggests a pure aesthetic degree through its order and relationship to the visual arts

Author

Lee Colon

Language

EN