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This document discusses the relationship between folklore and popular music in Lima, Peru from 1921 to 1969. It suggests that despite attempts to establish a national music hierarchy, the genres gradually blended together, resulting in a fluid popular music scene in the 1960s. The author analyzes how the state, institutions, and popular agents shaped the musical landscape. In the 1920s, as Lima urbanized, criollo genres like valses and polcas blended with new international styles. Musician Felipe Pinglo hel
- Author
- AngelAldea
- Language
- EN