About this document
Self-Conscious Theatre in Renaissance by special.translation.services is a document available to read on EtoBox.
The thesis explores self-conscious theatre in Renaissance drama, particularly how it reflects and shapes notions of identity through audience interaction. It argues that the self is formed in relation to others, emphasizing the performativity of identity and the relational nature of self-consciousness. By analyzing various genres and theatrical structures, the work highlights the complexities of identity as portrayed on stage, challenging traditional views of the autonomous self in early modern culture.
- Author
- special.translation.services
- Language
- EN