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This document discusses using John Coltrane chord substitutions for jazz guitar playing. It explains dividing the octave into thirds using an augmented triad, such as F+, A, C#, to create three chord substitutions over an F7 chord. Scale and arpeggio exercises are provided to practice navigating between these chords. Examples applying this technique to blues progressions and solos are included to illustrate its use.

Author

Nathan Adams

Language

EN